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It’s at this time when you now need to “do the math” and figure out realistically the number of shots/per scene/per shooting day with suggestions from the DOP and 1st AD. You will also need to factor in other logistics such as Day/Night transitions, lighting concerns and location wrap time. Location Shot Listing with DOP and First ADĪfter you have completed your scene order shot list and your preliminary shooting order shot list, you need to visit as many “locked” locations as you can with the DOP and 1st AD.Īt each location you need to review every scene carefully to make sure your shot lists are based on the real location and how much work is scheduled on that shooting day. I then go over the schedule with the First AD and DOP to see if we can move scenes around to accommodate the number of shots – or do I have to reduce my shots.ģ. These set-up numbers tell me how many shots per day I have to shoot and if I have too many shots per day or too few shots. This lets you know how many shots (set-ups) you have to shoot per day.Īfter I get the preliminary one-liner from the First AD, I write the number of shots per scene on the one-liner for each shooting day. you then cut-and-paste your scene order shot list into the shooting order.
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Once you get the preliminary one-liner from the First A.D. Shot Lists – Scene Order to Shooting Orderĭuring your early prep (when you are also location scouting) you begin to create your first shot list in scene (story) order. Art and Craft of the Director Audio Seminar.Getting Believable Performances from Actors.The Film Director’s Process of Discovery.The Art and Craft of the Film Director (3 day).
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